Mmm Perfect - People Like Us - Hate People Like Us (CD)


Download Mmm Perfect - People Like Us - Hate People Like Us (CD)
1999
Label: Staalplaat - STCD 126 • Format: 2x, CD Compilation • Country: Netherlands • Genre: Electronic • Style: Industrial, Experimental


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8 comments

  • Taunris
    Deleted early in the run as ties between Staalplaat and People Like Us were ended. Rumor states that a mere copies of this edition were produced prior to the termination. Some copies contained a birthday candle in a transparent jewel case, others used a /5(23).
  • Shaktilkis
    Discover releases, reviews, credits, songs, and more about People Like Us - Hate People Like Us at Discogs. Complete your People Like Us collection/5(45).
  • Gura
    Tracks 1, 4, 6, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 28 & 29 are credited as by "plulink" on the CD, short pieces by People Like Us intended to link the remixes together. Packaged with a Birthday Candle inside the CD tray/5(12).
  • Arashizuru
    View credits, reviews, tracks and shop for the CD release of Hate People Like You on Discogs/5(20).
  • Dir
    Aug 30,  · Hate People Like Us, an Album by People Like Us. Released in on Soleilmoon (catalog no. SOL CD; CD). Genres: Plunderphonics/5(1).
  • JoJorn
    With the score of People Like Us, Rahman enters into a world of mid western American rusticism and folk tilt with a healthy philharmonic platform. The music as a whole is ambient, soothing, acoustic, and spiritually uplifting, while being restraintful, spacious, and respectful to the culture within which this film is based/5(11).
  • Tadal
    I think this People Like Us is just one person - Vicky Henderson. Very interesting use of samples - cleanly and professionally done, but in a silly way, if that makes any sense. Everything i've heard by her has been great fun.
  • Midal
    People Like Us Welcome to the only official site for People Like Us and Vicki Bennett. Since British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives.

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